The Idiocracy Algorithm: Art, Attention, and the Vanishing Lens
BLACKLINE DISPATCH No. 009 Vol. X, No. 3 | May 2025 The city doesn’t sleep, it just mutters in static.
Continue readingThe Idiocracy Algorithm: Art, Attention, and the Vanishing Lens
Cut. Marked. Seen.
BLACKLINE DISPATCH No. 009 Vol. X, No. 3 | May 2025 The city doesn’t sleep, it just mutters in static.
Continue readingThe Idiocracy Algorithm: Art, Attention, and the Vanishing Lens
Blackline Dispatch No. 008Byline: Dalton Barron (with a nod to Sterling Graves) The city used to run on film and
Blackline Dispatch No. 005 In the sterile glow of corporate skyscrapers, where innovation often dies behind boardroom curtains, Microsoft quietly
Continue readingThe Last Whisper of Cortana: A Eulogy for the AI That Almost Was
The Briefing No. 002 The federal courtroom reeks of bourbon-and-burned-coffee justice. Sean “Diddy” Combs sits shackled to his legacy, staring
Vol. X, No. 2 | May 2025 Framed and Favored: Doug Mills, the Pulitzer, and the Photographer Who Will Never
BLACKLINEVol. X, No. 1 | January 2025THE SHUTTER TAXBy Sterling Graves The darkroom’s quiet these days. Not because we’ve stopped
Continue readingThe Shutter Tax: How 2025 Camera Tariffs Are Gutting Photographers
BLACKLINE Vol. IX, No. 52 · May 2025THE FRAME THAT CRACKSOn Fame, Iconography, and the Diddy Trial 2025By Sterling Graves
Continue readingOn Fame, Iconography, and the Diddy Trial 2025
BLACKLINEVol. IX, No. 49 | May 2025THE MUSEUM THAT BREATHES IN CODEBy Sterling Graves, The Ghost They’re building a mausoleum
Continue readingThe Museum That Breathes in Code: A Dirge for Human Art
BLACKLINEVol. IX, No. 48 | May 2025WHAT THE LIGHT DOESN’T EDITBy Sterling Graves, The Ghost The shutter still fires. But
Continue readingWhat the Light Doesn’t Edit – Sony World Photography Awards 2025 Breakdown
BLACKLINEApril 2023 — Extra EditionPHANTOM PICTURE POISONS PRIZE!“AI-Generated Ghost” Stiffs Sony, Sparks Art World War—By Sterling Graves, The Specter Beat—
Continue readingGhost in the Frame: The AI Hoax That Haunts the Future of Photography